#Ronin 2 vs movi pro full
With all the talk about weight and choices, sometimes you just need to keep the overall gimbal-with-payload weight down for other reasons, such as going full handheld without vest support for a handoff, or to stay within basic Federal Aviation Administration (FAA) sUAS regulations. That’s a topic of itself, but rather than doing a deep dive into all of that, just know that you do have the option to put the whole VENICE and AXS-R7 raw recorder, or just the Rialto, on the MōVI Pro. The overall weight limit concerns for any gimbal has several factors to consider, and for a number of good reasons. A set of three gimbals, one mounted on the other with orthogonal pivot axes, may be used to allow an object mounted on the innermost gimbal to remain independent of the rotation of its support.” In short, gimbals are defined as “…a pivoted support that allows the rotation of an object about a single axis. However, I still have A-list crew asking me what they are.
#Ronin 2 vs movi pro professional
Sometimes you might get thrown a curve ball by budget or equipment availability, and then you have to work with what you have, so hopefully this provides a good starting point for concept and reasons for these builds that’ll get you on your way.Įlectronically stabilized gimbals have been around for a while now in the consumer, prosumer, and professional markets. The only right way to build or use any camera setup is for that specific shoot or shot. For now, I will discuss just a handful of the innumerable combinations for some common electronic gimbals and placing a full-sized VENICE into them. If you work with them in advance on the shot you’re trying to accomplish, they’ll be able to guide you and offer advice on the appropriate build and any equipment limitations.Ī previous article I wrote discussed Sony Rialto builds, and if you’re unfamiliar with that system or its capabilities, reading that article would be a great supplement to understanding the topics covered here. If there’s not a seasoned owner or dedicated tech who is well-experienced with gimbals, then I highly encourage you to find one. However, with DJI’s relatively new RS2, I feel a Rialto build would be possible with the right consideration of hyper-lightweight lenses and accessories.Įarlier, I noted “seasoned,” because several of the items needed have to do with additional gimbal-specific accessories that are common to an owner’s kit, but that aren’t included, right out of the box or with basic rental packages.
The cable weight of the Rialto is a bit too much for a decent DJI RS1 build so I would not recommend that.
Prime lenses are fine, zoom lenses will take more consideration. To quickly answer, because you’re on set and your hands are sweating because your Director or DP just asked you: Yes, a Sony VENICE package with AXS-R7 raw recorder can easily fit into a seasoned owner’s DJI Ronin 2, M ō Vi Pro, or Arri Maxima QL. “Can I put the VENICE into a handheld gimbal? Do we need to use the Rialto?” In case you missed my previous gimbal article that focused on the Sony VENICE & DJI Ronin 2, the big questions are these:
0 kommentar(er)
